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Tuesday, February 11, 2025

Propaganda in art

 Excerpts from BBC 2017  

The story of a painting that fought fascism - 

(published for a 2017 Art Show in London England)

Opening during the Spanish Civil War, the 1937 Paris Exhibition allowed 

artists to speak out against brutality. Fiona Macdonald looks at a moment

 when paintings became propaganda. 


On 26 April 1937, Nazi German and Italian bombers attacked the Basque

 city of Guernica. Over the course of three hours, they destroyed three-quarters

 of the ancient town, killing and wounding hundreds. The raid was “unparalleled

 in military history”, according to reports at the time – and it inspired one of the

 most famous anti-war paintings in history. A new exhibition staged in London 

by Barcelona’s Mayoral Gallery honours a group of artists who responded to 

the atrocities of the Spanish Civil War.


These artists were brought together by the 1937 Paris Exhibition, which 

opened less than a month after the bombing and just 10 months after the

 Civil War began. The Exhibition is usually remembered for the competing

 bluster of two nations: Germany, with its monumental granite tower topped

 with a giant eagle and swastika, and the Soviet Union, whose marble-clad

 structure was capped by an even bigger statue of two figures clutching a 

hammer and a sickle. Yet it also played host to a humbler project that has

 outlasted either monolith. Mayoral’s exhibition commemorates the 80th 

anniversary of the Spanish pavilion, seen by the Second Spanish Republic 

as a way of revealing General Franco’s cruelty to the rest of the world 

against a backdrop of rising authoritarianism.

Its ambitions were far removed from Nazi and Soviet architectural 

one-upmanship. As Europe moved towards war, the situation in Spain took 

on significance around the world. It became a battleground for the forces of 

Fascism and Communism and inspired new works from some of the greatest 

artists of the time. Pablo Picasso, Julio González, Joan Miró, 

Alexander Calder, Alberto Sánchez, and José Gutiérrez Solan were all 

shown in the Spanish pavilion.




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