French Moderns: Monet to Matisse, 1850-1950 part 2

 I admit that the iPhone camera did change some of the coloration and contrast in paintings. I'd hold it in front of the painting and be surprised how a dark moody scene became more reasonable. So I have just left all the paintings as they were captured. I worked a bit to bring the sculptures into visibility, since some were behind glass with reflections, and some were lit completely from above, thus had shadows that inhibited really seeing their beauty.

Here's the next line of photos from my editing program. Descriptions are above illustrations.